CROSS-EXAMINATION BY MR. AGNIFILO:
MR. AGNIFILO: Good afternoon, Ms. Morgan. I'm one of Sean Combs's lawyers. I have a few questions for you, not a ton, you'll be out into the nice afternoon in a little while and you'll have satisfied your subpoena and you'll be on your way.
KERRY MORGAN: Thank you.
MR. AGNIFILO: So if I ask you a question that you don't understand or you want me to rephrase it, all you need to do is ask and I will do that. Okay?
KERRY MORGAN: Sure. Okay.
MR. AGNIFILO: So you identified a few people today.
MR. AGNIFILO: I'm going to ask to put up something that was just admitted into evidence today. It's 9P-102. It's a photograph. It's already in evidence.
MR. AGNIFILO: Do you recognize the people in that photograph?
KERRY MORGAN: Cassie on the right, I recognize.
MR. AGNIFILO: Do you recognize anybody else?
KERRY MORGAN: No.
MR. AGNIFILO: Do you know who Dawn Richard is?
KERRY MORGAN: Not personally, but I believe she was in making the band.
MR. AGNIFILO: So just to recap some of the things you said this morning. For a period of time, a long period of time, you were Cassie's best friend?
KERRY MORGAN: Yes.
MR. AGNIFILO: We can take this picture down. I'm sorry. Let's put it back up for one second. I'm sorry.
MR. AGNIFILO: Which one is Cassie?
KERRY MORGAN: She is on the right in the colorful --
MR. AGNIFILO: Okay. And you don't recognize the other two people with her?
KERRY MORGAN: I don't.
MR. AGNIFILO: Okay. We can take it down.
MR. AGNIFILO: You were Cassie's best friend for -- starting in what, 2004 until --
KERRY MORGAN: 2001.
MR. AGNIFILO: 2001 you guys met. 2001 to 2018, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you tended to know the other people who were close to Cassie, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you don't recognize the two people in that photo?
KERRY MORGAN: I don't.
MR. AGNIFILO: So I have a few questions for you. So you met Cassie in 2001. Where exactly did you guys meet?
KERRY MORGAN: What city or what --
MR. AGNIFILO: Yeah, what city --
KERRY MORGAN: We were doing a photo shoot in New York City.
MR. AGNIFILO: Was she already modeling?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you were modeling, too?
KERRY MORGAN: Yes. It might have been my first job, actually, one of my first jobs.
MR. AGNIFILO: You grew up in Buffalo, you said?
KERRY MORGAN: Yes.
MR. AGNIFILO: Came to New York for the vastly improved weather, and now you're in New York and you meet Cassie?
KERRY MORGAN: Yes.
MR. AGNIFILO: I don't need all the details to the extent -- how did you meet her, how did you come to meet Cassie?
KERRY MORGAN: Well, at the time we had Polaroid, not digital, this is how long ago, so we used to have to wait a long time between shots to wait for the Polaroids. So then we started talking, we became really close.
MR. AGNIFILO: So modeling was done with Polaroids?
KERRY MORGAN: That's how ancient -- that's how old I am, yeah.
MR. AGNIFILO: So you and Cassie met because you had to wait for the Polaroids to develop?
KERRY MORGAN: Yes.
MR. AGNIFILO: And describe your friendship from that point.
KERRY MORGAN: Well, she was living in Connecticut, I was living in Buffalo, so we would see each other on photo shoots. We would talk and stuff, but we never -- once she was done with high school, we moved in together in New York.
MR. AGNIFILO: So when you met Cassie, she was still in high school?
KERRY MORGAN: Yes. So was I.
MR. AGNIFILO: So then you shared an apartment for a time in New York City?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you guys lived downtown?
KERRY MORGAN: Yes.
MR. AGNIFILO: How long a period of time did you guys live together?
KERRY MORGAN: One year.
MR. AGNIFILO: Do you remember, is that 2004?
KERRY MORGAN: Yes.
MR. AGNIFILO: And then you move uptown and she stays downtown?
KERRY MORGAN: Opposite. She moved to Harlem, I stayed downtown.
MR. AGNIFILO: And she was, from what you could tell from living with her and being her friend, she was doing pretty well financially with her modeling career, correct?
KERRY MORGAN: Yes, she was.
MR. AGNIFILO: I think you said she was making about a quarter million dollars?
KERRY MORGAN: Yes. Some years she was doing really well.
MR. AGNIFILO: This is modeling in what context --
KERRY MORGAN: Catalogs, catalog modeling, Target ads, we used to do the back to school circuit, J. C. Penny. They had the same bunch of people working together doing back to school ads.
MR. AGNIFILO: At some point in time, Cassie started dating someone named Ryan Leslie, am I right?
KERRY MORGAN: Yes.
MR. AGNIFILO: And when did she start dating Mr. Leslie?
KERRY MORGAN: They started dating when we were living together in 2004.
MR. AGNIFILO: Did you come to know Mr. Leslie pretty well?
KERRY MORGAN: Yes.
MR. AGNIFILO: Who was he at the time?
KERRY MORGAN: He was a music producer.
MR. AGNIFILO: At that point when she started dating Mr. Leslie, she had not put out any music?
KERRY MORGAN: No.
MR. AGNIFILO: How long a period of time, based on living with Cassie, being Cassie's friend, did she date Mr. Leslie, from what you could tell?
KERRY MORGAN: I think it was a couple years, two or three years.
MR. AGNIFILO: And only what you know, not what you don't know. Did they seem pretty serious?
KERRY MORGAN: Yes.
MR. AGNIFILO: At one point you met Mr. Combs for the first time?
KERRY MORGAN: Yes.
MR. AGNIFILO: That's you said that's about 2007ish?
KERRY MORGAN: I believe so.
MR. AGNIFILO: Do you remember how you met him?
KERRY MORGAN: I don't.
MR. AGNIFILO: After Cassie started dating Mr. Combs, what kind of time would you spend with the two of them?
KERRY MORGAN: I'd see them often.
MR. AGNIFILO: And what sort of -- give us an idea, the best you can, give us an idea --
KERRY MORGAN: If we were in the same town, we'd probably be hanging out.
MR. AGNIFILO: So 2008, just to pick a time period, how often would you say you're seeing Mr. Combs and Cassie in a month?
KERRY MORGAN: 2008, let me think about what I was up to. I had a boyfriend that year, so probably less than --
MR. AGNIFILO: And in part because you had your own social life?
KERRY MORGAN: Yes.
MR. AGNIFILO: And so once a month, twice a month, less?
KERRY MORGAN: Couple times a month probably.
MR. AGNIFILO: And where would these meetings tend to be? I'm just trying to give the jury a sense of what things were like.
KERRY MORGAN: Usually, maybe one of Sean Combs's apartments or house, it depends where we were. We'd always go to the studio. There was always a bunch of people there, it wasn't just the three of us, but --
MR. AGNIFILO: You said that through the years, you guys all traveled together?
KERRY MORGAN: Uh-huh.
MR. AGNIFILO: You said you went to Italy?
KERRY MORGAN: Yes.
MR. AGNIFILO: Once or more than once?
KERRY MORGAN: I'm pretty sure once, I went once.
MR. AGNIFILO: Do you remember where?
KERRY MORGAN: We were on a boat. We started in Rome and then I think ended in Naples.
MR. AGNIFILO: And then I think you had said Ibiza?
KERRY MORGAN: Yeah, that was the same trip, actually. We left the boat, went to Ibiza for a day and got back on the boat.
MR. AGNIFILO: Where else outside of the country?
KERRY MORGAN: Jamaica.
MR. AGNIFILO: And anything else, any other trips outside the country?
KERRY MORGAN: Not that I recall.
MR. AGNIFILO: And you guys would go to Burning Man here obviously in the country?
KERRY MORGAN: Yes.
MR. AGNIFILO: Tell the jury, what's Burning Man?
KERRY MORGAN: Burning Man is a music festival -- music and arts festival outside of Reno, Nevada.
MR. AGNIFILO: Is it the same time every year, roughly?
KERRY MORGAN: Yes, it's around Labor Day.
MR. AGNIFILO: How many times would you say that you and Mr. Combs and Cassie went to Burning Man?
KERRY MORGAN: I've been much more than they have. I'm not sure how many times they went. Maybe three.
MR. AGNIFILO: Did you go with them those three times?
KERRY MORGAN: Yes.
MR. AGNIFILO: And who, other than Mr. Combs and Ms. Ventura, who else would go with you, typically?
KERRY MORGAN: Like, in the --
MR. AGNIFILO: In the --
KERRY MORGAN: In the group. His stylist would come, he had assistants that came, other friends, obviously. We stayed in a camp together.
MR. AGNIFILO: You stayed in a camp together. Tell us what that was like.
KERRY MORGAN: What the camp was like?
MR. AGNIFILO: Yeah.
KERRY MORGAN: In Burning Man, nothing is there, so you have to bring everything in with you. You create your own tent or you have a camper, you bring all the food you need for a week, all the water, everything you could possibly need, and it's kind of a communal event. So you set up -- we camped with our friends and some people would cook and some people would this, some --
MR. AGNIFILO: You're friendly with other people kind of in the general group. Is there someone named Dallas Austin?
KERRY MORGAN: Yes.
MR. AGNIFILO: Who's Dallas?
KERRY MORGAN: He's a music producer.
MR. AGNIFILO: And you know him?
KERRY MORGAN: I do.
MR. AGNIFILO: And when would you say you first met Dallas?
KERRY MORGAN: I don't remember.
MR. AGNIFILO: But would it have been before 2010, after 2010?
KERRY MORGAN: No, before 2010.
MR. AGNIFILO: And then Lucas White, do you know who that is?
KERRY MORGAN: Yes, I do.
MR. AGNIFILO: What are the connection of Dallas — we'll start with Dallas — Dallas and Mr. Combs, from what you could see?
KERRY MORGAN: What is the connection between the two?
MR. AGNIFILO: Yeah, how do they know each other?
KERRY MORGAN: Through Kim, I believe, Kim Porter.
MR. AGNIFILO: Tell the jury, who's Kim Porter?
KERRY MORGAN: Kim Porter is the mother of a few of Sean Combs's kids.
MR. AGNIFILO: Have you ever met her?
KERRY MORGAN: Yeah.
MR. AGNIFILO: Do you know how many times, ballpark?
KERRY MORGAN: No.
MR. AGNIFILO: Do you know where you would have met her?
KERRY MORGAN: Probably at one of his houses.
MR. AGNIFILO: And I'm not going to ask to delve into this. From your connection with Ms. Ventura and your friendship with Ms. Ventura, could you tell if Kim Porter was a source, from time to time, of jealousy on her part?
KERRY MORGAN: Who?
MR. AGNIFILO: Cassie. Was Cassie ever jealous of Kim?
KERRY MORGAN: I'm sure, yes.
MR. AGNIFILO: I'm trying to see if there's more than I'm sure. Is there anything that you saw, because of your friendship with Cassie, that would lead you to that conclusion?
KERRY MORGAN: I -- yes, she was jealous because she could never go to the New Year's Eve parties.
MR. AGNIFILO: Fair to say, this was sort of an ongoing situation?
KERRY MORGAN: Yes.
MR. AGNIFILO: And Lucas White, what was Mr. Combs's connection to Lucas White from what you could see?
KERRY MORGAN: I'm not sure how they met or anything, but he was very good friends with Nelly Cooper, who I believe was in the music business, also. I don't know if there's a connection with that, but they're friends.
MR. AGNIFILO: You said that you guys would go to the studio from time to time, and that would be Ms. Ventura, as well?
KERRY MORGAN: Yeah.
MR. AGNIFILO: And was Ms. Ventura, from time to time, going to the studio to work on her own music, from what you could see?
KERRY MORGAN: Of course, yes.
MR. AGNIFILO: How often would you say she went to the studio to work on music? I'm sorry about asking all these general questions. I'm really trying to get an idea of how things were like?
KERRY MORGAN: It would depend if she was working on a project or something, because you have to pay all the people that are there, as well. It's not like she would just pop in there and waste everyone's time. So there was a point. So if she was working on something, she would be there every day.
MR. AGNIFILO: Only if you know, do you know who was paying for the studio time?
KERRY MORGAN: No.
MR. AGNIFILO: Did she ever tell you whether or not she was paying for the studio time?
KERRY MORGAN: I'm assuming it's part of the label deal.
MR. AGNIFILO: And the label being Bad Boy?
KERRY MORGAN: Yes.
MR. AGNIFILO: Do you know from time to time if Mr. Combs would put Ms. Ventura together with other artists in the studio?
KERRY MORGAN: Yes.
MR. AGNIFILO: Was your understanding that, many times, these were artists that were further along in their musical career than Ms. Ventura was along in her musical career to kind of help her whatever she was working on?
KERRY MORGAN: Yes.
MR. AGNIFILO: And one of them was someone named Kid Cudi?
KERRY MORGAN: I didn't know that they were working together.
MR. AGNIFILO: I think you said Lil Wayne?
KERRY MORGAN: I didn't say that.
MR. AGNIFILO: You didn't?
KERRY MORGAN: No.
MR. AGNIFILO: Sorry. Do you know if that's true?
KERRY MORGAN: That she worked with Lil Wayne?
MR. AGNIFILO: Yeah.
KERRY MORGAN: Not that I can --
MR. AGNIFILO: That's fine. Do you remember any other artists that Ms. Ventura did work with?
KERRY MORGAN: Yeah. French Montana, Fabolous, Too Short. I'm sure I'm missing a bunch, but -- she did a mixed tape that had features on every song.
MR. AGNIFILO: Do you remember the name of the mixed tape?
KERRY MORGAN: RockaByeBaby.
MR. AGNIFILO: That came out, ballpark, do you remember when about? Okay. But while she and Mr. Combs were together, romantically together?
KERRY MORGAN: Yes.
MR. AGNIFILO: Do you remember, Mr. Combs was quite jealous in your experience, correct?
KERRY MORGAN: Yes.
MR. AGNIFILO: And fair to say this was a source of great stress to you? Let's start with you. Fair to say?
KERRY MORGAN: Him being jealous?
MR. AGNIFILO: Yes.
KERRY MORGAN: Yes.
MR. AGNIFILO: Because he would be jealous and he would act up. Is that a fair way to put it?
KERRY MORGAN: The only way it would stress me is because they would involve me.
MR. AGNIFILO: But you saw this, you saw the jealousy playing out, correct?
KERRY MORGAN: Yes.
MR. AGNIFILO: Because you were Cassie's best friend?
KERRY MORGAN: Yes.
MR. AGNIFILO: And he was jealous, for instance, one day that he thought that Cassie had danced with Chris Brown, correct? Do you remember that?
KERRY MORGAN: I don't remember that one.
MR. AGNIFILO: Let me see if I can show you something. That's a very specific thing.
MR. AGNIFILO: It's B-329.
MR. AGNIFILO: Oh, I think you might have it in your folder. See that book next to you? We are not nearly going to go through everything in that book, so don't worry about that. But if there's something there that's a tab for B-329, here's what I'm going to ask you to do: I'm going to ask you to take a look at it.
KERRY MORGAN: I got it.
MR. AGNIFILO: Do me a favor, there's a couple of text sections there, just read them to yourself. When you've read them, just look back up at me if you could. Did you read it? Okay. Do you remember something about dancing with Chris Brown?
KERRY MORGAN: I don't. I don't know who this is, either.
MR. AGNIFILO: That's fine. Fair enough. Do you remember Cassie complaining to you in a text that Combs is angry because Combs believes that she was dancing with Chris Brown?
KERRY MORGAN: I don't remember that.
MR. AGNIFILO: And at one point, Combs was jealous, was he not, of the actor Michael B. Jordan. Do you remember that?
KERRY MORGAN: Yes.
MR. AGNIFILO: And what do you remember about that? Let me ask you what you remember and then I'll ask you some specific questions.
KERRY MORGAN: I remember she had started talking to Michael B. Jordan right before she went to South Africa to shoot a movie, and I remember them not being together while she was in South Africa.
MR. AGNIFILO: Mr. Combs wasn't with her?
KERRY MORGAN: Uh-huh.
MR. AGNIFILO: Let's take a step back and thank you for that. So Ms. Ventura goes to South Africa to film a movie. Remind us again what movie that was, if you remember?
KERRY MORGAN: I don't remember, but it was a dancing movie.
MR. AGNIFILO: And how long was she in South Africa, ballpark, about?
KERRY MORGAN: I want to say two months, maybe.
MR. AGNIFILO: And during this period of time, it was your belief that Combs and Ms. Ventura were not together?
KERRY MORGAN: Yeah. I was with her in South Africa for a few weeks and she was not speaking to him.
MR. AGNIFILO: And in fact, didn't she say something along the lines of, she was -- I'm going to use the wrong word because I'm of a generation where I'm using wrong words, like blocking everybody, right, she was blocking everyone?
KERRY MORGAN: Like on social media?
MR. AGNIFILO: Yeah, all of Mr. Combs's people.
MS. FOSTER: Objection.
MR. AGNIFILO: Let me ask a better question and one that's probably more educated.
THE COURT: Well, sustained.
MR. AGNIFILO: That's fine.
MR. AGNIFILO: Do you remember being with Ms. Ventura and Ms. Ventura saying, I'm blocking Combs --
MS. FOSTER: Objection.
MR. AGNIFILO: I'm not asking for the truth, I'm just trying to figure out --
THE COURT: Then let's ask in a different way.
MR. AGNIFILO: So how long were you with Ms. Ventura in South Africa?
KERRY MORGAN: Two weeks.
MR. AGNIFILO: And for another period --
MR. AGNIFILO: Give me one second, Judge. Your Honor, may I approach the witness?
THE COURT: You may.
MR. AGNIFILO: I'm showing you a photograph, and the person in the middle we're going to call Mia.
KERRY MORGAN: I've --
MR. AGNIFILO: Okay. I'll take that from you. So for a period of time, Mia was in South Africa, as well, correct?
KERRY MORGAN: She was, yes.
MR. AGNIFILO: And were you and Mia there at the same time or at different times?
KERRY MORGAN: The same time.
MR. AGNIFILO: For the whole time?
KERRY MORGAN: I was there for two weeks, they were there for much longer.
MR. AGNIFILO: Were you there on the front end or the back end or in the middle?
KERRY MORGAN: I believe I was kind of in the middle. I'm not sure.
MR. AGNIFILO: And the way we got to this subject, as you said, during this period of time, there was some relationship of some nature between Ms. Ventura and Michael B. Jordan?
KERRY MORGAN: Correct.
MR. AGNIFILO: Very, very succinctly, what was the nature of that?
KERRY MORGAN: I actually don't know. I never met him, I never seen them together. I know they were speaking when she was in South Africa, but I don't know anything about when they met up or --
MR. AGNIFILO: Understood. And at some point you were aware, were you not, that Mr. Combs expressed, in your presence, jealousy over this situation?
KERRY MORGAN: I'm not sure that it was in my presence, but --
MR. AGNIFILO: Was it only things that Ms. Ventura would tell you?
KERRY MORGAN: I don't remember. I'm not sure.
MR. AGNIFILO: But do you remember this being an issue at some point?
KERRY MORGAN: Yes.
MR. AGNIFILO: Tell the jury what you remember.
KERRY MORGAN: The only thing that I do remember would be that she was speaking to Michael B. Jordan, they were not together, and he was jealous about it. I think she was trying to leave him, because especially when she was in Africa, she was away, so --
MR. AGNIFILO: Ms. Ventura was trying to leave Mr. Combs?
KERRY MORGAN: Yes.
MR. AGNIFILO: Now while you and Ms. Ventura were in South Africa -- and I'm not going to belabor this point -- you guys were using some controlled substances, some drugs, right?
KERRY MORGAN: No.
MR. AGNIFILO: Not at all?
KERRY MORGAN: No.
MR. AGNIFILO: Was Ms. Ventura using anything, from what you could see?
KERRY MORGAN: No. We were in South Africa. I'm not sure.
MR. AGNIFILO: I understand. Did you come to learn that there was a woman in Mr. Combs's life named Gina?
KERRY MORGAN: Yes.
MR. AGNIFILO: And fair to say that Gina was a source of jealousy and worry to Ms. Ventura?
KERRY MORGAN: She was a big problem, yes.
MR. AGNIFILO: Thank you. That's a great way to put it. Tell the jury why Gina was a big problem.
KERRY MORGAN: He wouldn't -- she wouldn't go away, basically. He was having like a full-on relationship with this little girl and Cassie found out about it, and she wouldn't go away, he wouldn't leave her. So it just went on for a really long time.
MR. AGNIFILO: I need to clarify one thing. You called her a little girl. She was a grown adult woman, right?
KERRY MORGAN: Yes. We looked at her like a little girl.
MR. AGNIFILO: Why do you say that?
KERRY MORGAN: Because she acted like one and she was like a little girl. She's much younger than us, I believe.
MR. AGNIFILO: Do you know how old she was at the time?
KERRY MORGAN: No.
MR. AGNIFILO: She was --
KERRY MORGAN: She was an adult, yeah. Sorry.
MR. AGNIFILO: So I'm trying to understand, she was acting like a little girl, I want to understand very briefly what you mean.
KERRY MORGAN: I believe that Cassie was having conversations with her or they spoke or something. I'm not sure. Honestly, I'm not sure. I don't want to say something that I don't --
MR. AGNIFILO: That's fine. Only what you know. But what you do know is that Gina was a problem?
KERRY MORGAN: She was a problem, yes.
MR. AGNIFILO: And she was a problem because this was all hurtful to Ms. Ventura?
KERRY MORGAN: Yes.
MR. AGNIFILO: Ms. Ventura was hurt by this?
KERRY MORGAN: Yes. I'm pretty sure she got pregnant, that Gina girl.
MR. AGNIFILO: Let's just --
KERRY MORGAN: Sorry.
MR. AGNIFILO: That's okay. And it was a persistent problem, it lasted for years, and years, and years, and years?
KERRY MORGAN: Yes, from what I remember.
MR. AGNIFILO: When you said she wouldn't go away, what you're saying, tell me if this is right, is that Mr. Combs was with Gina romantically for many, many years?
KERRY MORGAN: Yes.
MR. AGNIFILO: And during the same time, he was also with Cassie?
KERRY MORGAN: Correct.
MR. AGNIFILO: And that Mr. Combs was cheating on Cassie was a source of a great deal of conversation between you and Cassie while you're in South Africa and at other times?
KERRY MORGAN: In South Africa, she did not want to speak about him.
MR. AGNIFILO: About Mr. Combs?
KERRY MORGAN: Yes.
MR. AGNIFILO: And then she comes back from South Africa when, in the late fall of 2015; does that sound right?
KERRY MORGAN: Yes.
MR. AGNIFILO: And your friendship continued?
KERRY MORGAN: Yeah.
MR. AGNIFILO: In the latter part of 2015, do you remember where you were living? Not the exact address.
KERRY MORGAN: New York.
MR. AGNIFILO: Do you remember where Ms. Ventura was living?
KERRY MORGAN: In 2015?
MR. AGNIFILO: Only if you remember.
KERRY MORGAN: Either New York or LA. I'm not sure.
MR. AGNIFILO: At some point she moved from New York to LA; am I right?
KERRY MORGAN: Yes.
MR. AGNIFILO: Do you remember, ballpark, when that was?
KERRY MORGAN: No, I don't.
MR. AGNIFILO: Now, in connection, were there times when Ms. Ventura would ask you to sort of be cover in terms of, like, don't tell Mr. Combs where I am type of thing?
KERRY MORGAN: Not really.
MR. AGNIFILO: Do me a favor, I think 1607 and 1608 are in your binder. Look at 1607 first, just read it to yourself, and if you can't find it, let me know.
(Pause).
MR. AGNIFILO: Now read 1608, also.
(Pause).
MR. AGNIFILO: Do you remember a time when you and Ms. Ventura were talking and you were essentially being asked to provide like a back story if Mr. Combs were to call looking for her?
KERRY MORGAN: I don't recall it, but it sounds like what this message is about.
MR. AGNIFILO: That's fine. Do you recall that happening ever?
KERRY MORGAN: No.
MR. AGNIFILO: I mean --
KERRY MORGAN: I'm sure it probably did, I just don't remember.
MR. AGNIFILO: That's alright. When Ms. Ventura came back from South Africa, to your knowledge — I'm going to keep it very general purpose — was there any romantic type of relationship to your knowledge that she had with Michael B. Jordan?
KERRY MORGAN: I'm not sure of the timeline of their -- I don't know if she came back and was still speaking with him. I'm not sure.
MR. AGNIFILO: That's fine. I want to talk for a second about this situation where Mr. Combs had a hammer on the wooden door, Ms. Ventura's wooden apartment door. So just a few questions about that. So you and Ms. Ventura were at her apartment on Willshire Boulevard in Comstock?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you hear banging on the apartment door?
KERRY MORGAN: Yes.
MR. AGNIFILO: And other than you and Ms. Ventura, are anyone else in the apartment?
KERRY MORGAN: No.
MR. AGNIFILO: It's just the two of you?
KERRY MORGAN: Mhm.
MR. AGNIFILO: And you said the banging was very, very loud?
KERRY MORGAN: Yes.
MR. AGNIFILO: Mr. Combs, you're saying you saw him through the peephole?
KERRY MORGAN: Yes.
MR. AGNIFILO: And he was banging the door with a hammer?
KERRY MORGAN: Yes.
MR. AGNIFILO: Wooden door I think you said on direct?
KERRY MORGAN: I believe it was a wooden door. It wasn't my apartment.
MR. AGNIFILO: Fair enough. Did anyone, and only if they did, did anyone take any pictures of the door, do you know?
KERRY MORGAN: I didn't.
MR. AGNIFILO: And no one did, from what you can see?
KERRY MORGAN: Unless the police did. I'm not sure.
MR. AGNIFILO: I'm going to ask about them in a second. And you did not call the police, right?
KERRY MORGAN: I don't believe I did.
MR. AGNIFILO: And you didn't see Ms. Ventura call the police?
KERRY MORGAN: She definitely did not call.
MR. AGNIFILO: And so the police show up, right, Los Angeles police department?
KERRY MORGAN: Yeah, three hours later.
MR. AGNIFILO: Three hours later, right on time. Do you remember, is it one officer or more than one officer?
KERRY MORGAN: Two.
MR. AGNIFILO: Two. Men or women?
KERRY MORGAN: One man and one woman.
MR. AGNIFILO: And the police officers don't say anything to indicate what prompted them to come there, correct?
KERRY MORGAN: There was the noise.
MR. AGNIFILO: Let me ask a better question. They didn't say a particular someone had called them, someone specific had called them?
KERRY MORGAN: No.
MR. AGNIFILO: What they did indicate to you is they were there because of the banging on the door?
KERRY MORGAN: Yes.
MR. AGNIFILO: And at the time, were there any injuries to Ms. Ventura that were visible that you could see?
KERRY MORGAN: Yes.
MR. AGNIFILO: Where?
KERRY MORGAN: She had a black eye.
MR. AGNIFILO: And was it noticeable, could one see it?
KERRY MORGAN: Yeah.
MR. AGNIFILO: Now, tell me, when the police get there, what do the police do, what happens?
KERRY MORGAN: I open the door, they pushed me against the wall until I gave them my ID, and Cassie was sitting on the couch, she didn't move.
MR. AGNIFILO: What did the officers say to you, other than asking for your ID?
KERRY MORGAN: They asked me what happened, what was happening. She was visibly injured. I wasn't at the prior hotel where she was injured, so I didn't have anything to say about how it happened to her. And she didn't say anything. She didn't say.
MR. AGNIFILO: And did the police, from what you could see, did the police approach Ms. Ventura and speak to her?
KERRY MORGAN: Yes.
MR. AGNIFILO: And from what you could see, how far away from Ms. Ventura were the police when they were speaking to her?
KERRY MORGAN: Well, they looked all around the apartment and then they came -- like, they would talk to her while she was sitting on the couch.
MR. AGNIFILO: So Ms. Ventura is sitting on the couch, the two police officers are right in front of her?
KERRY MORGAN: Yes.
MR. AGNIFILO: Is this daylight or nighttime?
KERRY MORGAN: Daytime.
MR. AGNIFILO: Light in the apartment is normal lighting like this?
KERRY MORGAN: It's -- yeah.
MR. AGNIFILO: So we have lighting like this, the police are what, five feet from Ms. Ventura?
KERRY MORGAN: Yes.
MR. AGNIFILO: Is she doing anything to obstruct her face?
KERRY MORGAN: No. She had a hoodie on.
MR. AGNIFILO: She had a hoodie on, but the hoodie wasn't covering her eye?
KERRY MORGAN: Yes.
MR. AGNIFILO: So the two police officers, in lighting just like this lighting, are five or so feet away from Ms. Ventura, how long a period of time would you say they were speaking to Ms. Ventura from that distance away?
KERRY MORGAN: I'm not sure.
MR. AGNIFILO: But I mean a couple of minutes, right?
KERRY MORGAN: Yeah.
MR. AGNIFILO: And Ms. Ventura is sitting on the couch, they're five feet away, speaking to her, does either police officer say anything or do anything that lead you to conclude that they see she has an injury to her eye?
KERRY MORGAN: Yes, they asked what happened.
MR. AGNIFILO: What did she say?
KERRY MORGAN: Nothing, she didn't respond.
MR. AGNIFILO: And you say that they asked her for her license?
KERRY MORGAN: Yes.
MR. AGNIFILO: And what did she say?
KERRY MORGAN: She said she didn't have it.
MR. AGNIFILO: Did the police officers in your presence ask whose apartment it was?
KERRY MORGAN: Yes.
MR. AGNIFILO: And it was whose apartment?
KERRY MORGAN: Cassie's.
MR. AGNIFILO: Did the police do anything to learn Cassie's identification, other than asking for her license?
KERRY MORGAN: Not that I'm aware of.
MR. AGNIFILO: Ultimately, Ms. Ventura did not give them a driver's license?
KERRY MORGAN: No.
MR. AGNIFILO: Or any type of ID that you could see?
KERRY MORGAN: No.
MR. AGNIFILO: And from what you could also see, the police didn't do anything else to determine her identity?
KERRY MORGAN: Yes.
MR. AGNIFILO: So you never saw anything that would lead you to conclude that the police learned her identity, either because Cassie told her or gave them some sort of documentation?
KERRY MORGAN: No.
MR. AGNIFILO: How long would you say the police were in the apartment altogether?
KERRY MORGAN: I don't remember. Maybe 15 minutes.
MR. AGNIFILO: Really, it took them three hours to come?
KERRY MORGAN: It took a really long time.
MR. AGNIFILO: I think we can pull it up, it was just admitted into evidence as Government Exhibit C-3644-A. I think it's the card of one of the officers. It's already in evidence.
MR. AGNIFILO: Can you see that okay?
KERRY MORGAN: I can.
MR. AGNIFILO: So this person, do you remember there being a sergeant -- I know it's a long time ago. I apologize. Do you remember one of them being a sergeant named Hall?
KERRY MORGAN: I don't know the difference between a sergeant and lieutenant, it's --
MR. AGNIFILO: Got it. And this is one of the two officers, left their card?
KERRY MORGAN: Yes.
MR. AGNIFILO: When the officer left the card, did the officer say anything that you could hear, here's why I'm leaving the card?
KERRY MORGAN: I don't remember what was said.
MR. AGNIFILO: And you didn't say anything to the police about -- well, let me back up. Did you tell the police what happened with the hammer?
KERRY MORGAN: I don't remember. I'm not sure.
MR. AGNIFILO: You didn't hear Ms. Ventura tell the police what happened with the hammer?
KERRY MORGAN: I don't think she said anything.
MR. AGNIFILO: Did the police do or say anything to indicate that they saw any damage to the wooden door?
KERRY MORGAN: I don't remember.
MR. AGNIFILO: How long would you say the police were in the apartment in total? If you answered that, I've already forgot it.
KERRY MORGAN: I already said I don't recall.
MR. AGNIFILO: They leave and this incident comes to an end?
KERRY MORGAN: Yeah.
MR. AGNIFILO: We can pull it up if we need to, but I think we just looked at it this morning. There was text communication between and you Kristina Khorram, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: The person we call KK.
KERRY MORGAN: Uh-huh.
MR. AGNIFILO: Tell the jury a little bit about KK. Who's KK?
KERRY MORGAN: KK was Sean Combs's chief of staff or personal assistant. She was with him all the time. She took care of most of -- she was like his right hand, basically. She's a good, really nice girl.
MR. AGNIFILO: Did you have your own relationship with KK?
KERRY MORGAN: I did.
MR. AGNIFILO: And tell us about that.
KERRY MORGAN: About our relationship?
MR. AGNIFILO: Yeah.
KERRY MORGAN: It wasn't -- we would only see each other when she was working or when I was hanging out with them, but we would hang out at Burning Man and stuff, she was there, we would hang out. We weren't that close, but --
MR. AGNIFILO: Understood. You said a minute ago that she's a nice girl. Just tell us more.
KERRY MORGAN: She's a nice girl. She always seemed very innocent and she's always trying to help everybody. She was always nice.
MR. AGNIFILO: You also talked about someone, a D-Roc?
KERRY MORGAN: Yeah.
MR. AGNIFILO: How well do you know D-Roc?
KERRY MORGAN: I haven't seen him in a long time.
MR. AGNIFILO: You haven't seen a lot of these people.
KERRY MORGAN: Yeah, none of them. I'm sorry, can you repeat the question.
MR. AGNIFILO: Tell me about D-Roc, what's your relationship with D-Roc?
KERRY MORGAN: He was always around because he was the head of security. There were certain people that were always around, and if I was around, then we -- we all became friends.
MR. AGNIFILO: And so you would consider him a friend?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you considered KK a friend or no?
KERRY MORGAN: Yes.
MR. AGNIFILO: Who else in the group would you consider your friends?
KERRY MORGAN: Derek.
MR. AGNIFILO: Derek?
KERRY MORGAN: Roche. He was a stylist. Who else? I'm drawing a blank of who was around. XXXX.
MR. AGNIFILO: The person who was in South Africa who was a friend?
KERRY MORGAN: Yeah.
MR. AGNIFILO: We're calling her Mia.
KERRY MORGAN: Yeah.
MR. AGNIFILO: Tell me about Mia.
KERRY MORGAN: Mia was an assistant for a while. She was pretty close with Cassie, close enough that she came with her to South Africa to help her out. She was always like tons of energy, she could, you know, she could hang -- it was a lot of work for the assistants to work for Sean Combs, they had to work long hours and she had the stamina for it.
MR. AGNIFILO: She could do it?
KERRY MORGAN: Yeah.
MR. AGNIFILO: Were there issues, from your experience, with her drinking from time to time?
KERRY MORGAN: I don't recall.
MS. FOSTER: Objection.
MR. AGNIFILO: I'll go on.
MR. AGNIFILO: How well did you know her? How would you characterize your relationship with Mia?
KERRY MORGAN: I knew her fairly well, but we didn't really hang out outside of Cassie.
MR. AGNIFILO: And she was close with Cassie just like you were close with Cassie?
KERRY MORGAN: I wouldn't say as close.
MR. AGNIFILO: You were Cassie's best friend, that's how you see this, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: And I'm not saying anyone sees it differently, I'm just asking how you see it.
KERRY MORGAN: Yeah.
MR. AGNIFILO: Let me ask, I really want to understand this -- and we're going to get to this in a minute. In 2018, Mr. Combs comes to Cassie's apartment, you're there, you say he grabs you by the neck and he throws a wooden hanger at you?
KERRY MORGAN: Cassie's house.
MR. AGNIFILO: Cassie's house. And he does these things, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: And that spelled the end of your relationship with Cassie?
KERRY MORGAN: Yes.
MR. AGNIFILO: And I want to understand this better, because by this point, you guys are best friends for 17 years?
KERRY MORGAN: Yes.
MR. AGNIFILO: Right, 2001 to 2018, right? Okay. Do me a favor, if you don't say yes, he'll hit me.
KERRY MORGAN: Yes. Sorry.
MR. AGNIFILO: For 17 years, and you haven't spoken to her since?
KERRY MORGAN: No.
MR. AGNIFILO: But she's married to another man about to have her third baby, she's not with Mr. Combs and --
MS. FOSTER: Objection.
THE COURT: It's overruled.
MR. AGNIFILO: Let me do it again. I'm trying to understand this. At the sake of being Captain Obvious, it's May 2025?
KERRY MORGAN: Yeah.
MR. AGNIFILO: You have not spoken to Cassie in what, almost seven years?
KERRY MORGAN: Yes.
MR. AGNIFILO: In that period of time, she left Sean Combs six and a half years ago?
KERRY MORGAN: I'm aware.
MR. AGNIFILO: She's moved on with her life completely, right?
MS. FOSTER: Objection.
THE COURT: That's sustained.
MR. AGNIFILO: Do you know, do you know if she's moved on with her life?
MS. FOSTER: Objection.
MR. AGNIFILO: Let me ask another question. How come you haven't rekindled?
KERRY MORGAN: The reason I stopped speaking to her was because she was not supportive of me after that incident.
MR. AGNIFILO: It all comes back to what you said on direct, tell me if I'm right, where she said to you that you're overreacting about the wooden hanger incident?
KERRY MORGAN: Yes.
MR. AGNIFILO: And that, that ended a 17-year best friendship, just so I understand?
KERRY MORGAN: I draw my line at physical abuse, so --
MR. AGNIFILO: But she didn't do it, right?
MS. FOSTER: Objection.
THE COURT: It's overruled.
KERRY MORGAN: She also has not reached out to me.
MR. AGNIFILO: Now, you reached a settlement agreement with her, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: Not with Mr. Combs?
KERRY MORGAN: She told me it was through him, the money was coming from him.
MR. AGNIFILO: But we're not talking for the moment where the money is coming from. You reached a settlement agreement with Ms. Ventura?
KERRY MORGAN: Correct.
MR. AGNIFILO: And I just want to understand, what do you think that she did?
KERRY MORGAN: What do I think she did?
MR. AGNIFILO: Yeah.
KERRY MORGAN: The money wasn't coming from her. She was the in-between.
MR. AGNIFILO: You had a lawyer?
KERRY MORGAN: Uh-huh. And then I didn't use the lawyer.
MR. AGNIFILO: I'm really just trying to understand it better. So you had a lawyer who you didn't use, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you made a demand of money to Cassie, correct?
KERRY MORGAN: No, I didn't demand money.
MR. AGNIFILO: To who?
KERRY MORGAN: I didn't demand money from anyone. She offered it.
MR. AGNIFILO: Let me do it this way: tell the jury how it happened.
KERRY MORGAN: She offered me money to sign an NDA, and that was essentially, like, to close the case on this, like, you don't get to sue anybody or say anything in public about it.
MR. AGNIFILO: And where were you and Cassie when you had this conversation?
KERRY MORGAN: In West Hollywood.
MR. AGNIFILO: Where, what sort of place?
KERRY MORGAN: At like a pizza, a random pizza place.
MR. AGNIFILO: So you and Cassie are in a pizza place?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you and Cassie are talking. Did you agree on a figure?
KERRY MORGAN: I don't remember the conversation exactly. She gave me the figure.
MR. AGNIFILO: She gave you a figure and you accepted it?
KERRY MORGAN: Yes.
MR. AGNIFILO: Was it $50,000 or $30,000?
KERRY MORGAN: $30,000.
MR. AGNIFILO: You're sure?
KERRY MORGAN: That's all I got was $30,000.
MR. AGNIFILO: And it was just the two of you there?
KERRY MORGAN: Yes.
MR. AGNIFILO: Mr. Combs wasn't there?
KERRY MORGAN: No.
MR. AGNIFILO: No lawyers were there?
KERRY MORGAN: No.
MR. AGNIFILO: Which is why it probably got done. Withdrawn. So you guys are having a conversation over pizza and she agrees that she's going to give you this money?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you accepted it?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you still never became friends again?
KERRY MORGAN: I don't know why she doesn't reach out to me, so --
MR. AGNIFILO: I understand.
KERRY MORGAN: I'm sure she doesn't have the same phone number anymore, also.
MR. AGNIFILO: Was that the last time you spoke with her?
KERRY MORGAN: Yes.
MR. AGNIFILO: So in the pizza place talking about money is the last time you spoke to her?
KERRY MORGAN: Correct.
MR. AGNIFILO: I want to show you a couple of photographs.
MR. AGNIFILO: First I want to look at defense exhibit for identification only 1620. It's going to be shown to the witness and the parties, but not yet the jury.
MR. AGNIFILO: You can see that's a photograph, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: Do you recognize all the three people in it?
KERRY MORGAN: Yes.
MR. AGNIFILO: One of them is yourself?
KERRY MORGAN: Yes.
MR. AGNIFILO: We offer 1620, your Honor.
THE COURT: Any objection?
MS. FOSTER: No objection.
THE COURT: Defendant's Exhibit 1620 will be admitted.
(Defendant's Exhibit 1620 received in evidence)
MR. AGNIFILO: So now the jury can see it.
MR. AGNIFILO: There's you repping the Snow City. Who's in the middle?
KERRY MORGAN: Casandra.
MR. AGNIFILO: Who's the third person?
KERRY MORGAN: Bana.
MR. AGNIFILO: Tell us, who's Bana?
KERRY MORGAN: Bana was a friend of Cassie's. They used to design -- she was making T-shirts or something. She helped her design them.
MR. AGNIFILO: Let me take a step back. Mr. Combs and Cassie and yourself all did drugs together and then separately, correct?
KERRY MORGAN: Yes.
MR. AGNIFILO: Do you remember a time when Mr. Combs was trying to get -- from what you could see, was trying to get Cassie to do less drugs?
KERRY MORGAN: Yes.
MR. AGNIFILO: Do you remember about when that was?
KERRY MORGAN: No, I don't.
MR. AGNIFILO: But was it for a period of time, more than a couple of days, a couple of weeks?
KERRY MORGAN: I remember him, because I'm pretty sure he sent her to Mexico to get cleaned up.
MR. AGNIFILO: Tell us what you remember about that.
KERRY MORGAN: She went with Mia to Mexico for treatment called ibolcane.
MR. AGNIFILO: What is it?
KERRY MORGAN: I don't really know. But I know it's like in a hospital. It's kind of like a new AG way of getting rid of addiction.
MR. AGNIFILO: In addition to sending her to Mexico with Mia, do you remember being present for conversations -- from Mr. Combs. Withdrawn. Mr. Combs saying things in your presence along the lines of, Cassie, you need to do less drugs?
KERRY MORGAN: Not that I can recall.
MR. AGNIFILO: Do you remember, the third person in this photo, Bana, from time to time, is it fair to say Bana would bring different drugs to you and Ms. Ventura?
KERRY MORGAN: I believe, yes.
MR. AGNIFILO: And do you recall that being a source of displeasure on the part of Sean Combs that he would say, I don't want Bana bringing drugs anymore?
KERRY MORGAN: I don't recall. I'm not sure.
MR. AGNIFILO: We're going to look at another photograph for identification only. 1621, Defendant's Exhibit 1621.
MR. AGNIFILO: Can you see that photo?
KERRY MORGAN: Yes.
MR. AGNIFILO: And can you see that you're in it yourself?
KERRY MORGAN: Yes.
MR. AGNIFILO: We offer it, your Honor.
THE COURT: Any objection?
MS. FOSTER: No objection.
THE COURT: Defendant's Exhibit 1621 will be admitted.
(Defendant's Exhibit 1621 received in evidence)
MR. AGNIFILO: Do you recognize some of the people in the photo?
KERRY MORGAN: I do.
MR. AGNIFILO: Can we start with the person in the LA Dodgers hat there on the left side?
KERRY MORGAN: Elie Maroun.
MR. AGNIFILO: Who's Elie?
KERRY MORGAN: I think he was a manager. I think he used to work with the management team.
MR. AGNIFILO: What does that involve, in your experience, what does it mean to be a manager?
KERRY MORGAN: I don't know. They handle all their business, get them jobs.
MR. AGNIFILO: Who's above Elie with another baseball hat?
KERRY MORGAN: Rob Holiday.
MR. AGNIFILO: Who is Rob Holiday?
KERRY MORGAN: He is a music producer. He worked with Cassie on RockaByeBaby.
MR. AGNIFILO: Can you see, you only see half of his face to Rob Holiday's -- over his left shoulder?
KERRY MORGAN: I don't know who that is.
MR. AGNIFILO: And woman to the left of Rob?
KERRY MORGAN: On the top or the --
MR. AGNIFILO: The top.
KERRY MORGAN: The top, I don't know.
MR. AGNIFILO: Below that.
KERRY MORGAN: The left is Keke Palmer.
MR. AGNIFILO: Who is Keke Palmer?
KERRY MORGAN: She is an actress.
MR. AGNIFILO: That is fine. Keep going over. Woman in the back there to the left?
KERRY MORGAN: I don't know who that is. Or the one next to her I don't know.
MR. AGNIFILO: A man with the short beard there on the right?
KERRY MORGAN: Diontae Nash.
MR. AGNIFILO: And who's right next to Diontae?
KERRY MORGAN: Luba -- I'm not sure her last name.
MR. AGNIFILO: And below Diontae, who's that woman?
KERRY MORGAN: I'm not sure who that is with the red lipstick. And then there's Bana. I don't know the other person.
MR. AGNIFILO: Fair to say, there was a lot of chaos with being in Combs's circle, correct?
KERRY MORGAN: Yes.
MR. AGNIFILO: But from time to time you guys had a lot of fun?
KERRY MORGAN: We had a lot of fun, yeah.
MR. AGNIFILO: And you had a lot of fun a lot of the time, right?
KERRY MORGAN: Yeah.
MR. AGNIFILO: It was exciting, was it?
KERRY MORGAN: Yeah.
MR. AGNIFILO: And sometimes it was exciting for all the wrong reasons, right?
KERRY MORGAN: That's fair, yes.
MR. AGNIFILO: But sometimes it was exciting for all the best reasons, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you all loved each other?
KERRY MORGAN: We did.
MR. AGNIFILO: And fair to say the people in this photo love each other?
KERRY MORGAN: We look like a loving bunch.
MR. AGNIFILO: But you're the only one --
KERRY MORGAN: I didn't love all these people. Yeah.
MR. AGNIFILO: But you loved some of them?
KERRY MORGAN: Yes.
MR. AGNIFILO: Is that the right word for it, love?
KERRY MORGAN: Yeah.
MR. AGNIFILO: Can we also, for identification, look at 1602.
MR. AGNIFILO: I'm showing you photograph 1602, you're smiling. Do you recognize yourself in it?
KERRY MORGAN: Yeah.
MR. AGNIFILO: Other people are in it, too?
KERRY MORGAN: It's Sean Combs --
MR. AGNIFILO: I'm sorry. I have to ask to admit it into evidence.
MR. AGNIFILO: We offer 1602, your Honor.
THE COURT: Any objection?
MS. FOSTER: None.
THE COURT: Defendant's Exhibit 1602 will be admitted.
(Defendant's Exhibit 1602 received in evidence)
MR. AGNIFILO: We're going to show it to the jury.
MR. AGNIFILO: Tell us who everybody is.
KERRY MORGAN: I'm on the right, then there's Lucas White, Dallas Austin is on the bottom, and Sean Combs is on the left.
MR. AGNIFILO: Holding that umbrella?
KERRY MORGAN: Oh, yeah.
MR. AGNIFILO: Where are you, can you tell?
KERRY MORGAN: At Burning Man.
MR. AGNIFILO: This is one of the three times you went to Burning Man with some of these folks?
KERRY MORGAN: Yes. This might have been the first time that Sean came.
MR. AGNIFILO: And that was fun?
KERRY MORGAN: Yes, it was.
MR. AGNIFILO: It was fun every time you went to Burning Man?
KERRY MORGAN: Yeah.
MR. AGNIFILO: And a lot of the places you guys went was fun?
KERRY MORGAN: Yes.
MR. AGNIFILO: I'm going to ask you to look --
MR. AGNIFILO: We're going to take the pictures down for the moment.
MR. AGNIFILO: We're going to look in your binder at 1612.
MR. AGNIFILO: For the parties and the Court, we can pull up 1612, not for the jury yet.
MR. AGNIFILO: You can look on the screen or in the book, whatever is easier for you. In 2016, do you recall sending -- I don't know if you'd call it a poem or a passage to Sean Combs?
KERRY MORGAN: Can you repeat the question.
MR. AGNIFILO: Sure. Do you remember sending -- let me back up for a second. There were times when you thought that Ms. Ventura should leave Mr. Combs, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: And there were times when you thought that they were deeply in love and maybe should try to work it out?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you thought both things maybe in the same day, right?
KERRY MORGAN: Not usually, but --
MR. AGNIFILO: In the same week, in the same month?
KERRY MORGAN: Yeah, possible.
MR. AGNIFILO: From your perspective, they were very much in love, correct?
KERRY MORGAN: Yes.
MR. AGNIFILO: From your perspective, Ms. Ventura very much loved Mr. Combs, correct?
KERRY MORGAN: Yes.
MR. AGNIFILO: And from your perspective, he very much loved her also, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: We'll talk about him first. From your perspective, he was a flawed person, correct?
KERRY MORGAN: Yes.
MR. AGNIFILO: And did you come to think that he was doing things to not take good care of himself?
KERRY MORGAN: I'm not -- I don't understand the question.
MR. AGNIFILO: Let me ask a better question. Did you try to help him be a better person from time to time?
KERRY MORGAN: Yeah.
MR. AGNIFILO: And did you send him this message with that in mind, trying to help him be a better person?
MS. FOSTER: Objection. I don't believe this is in evidence yet.
MR. AGNIFILO: It's not. Let me back up.
MR. AGNIFILO: Do you recognize your cellphone number on the top-left?
KERRY MORGAN: Yes.
MR. AGNIFILO: Do you recognize FB an abbreviation for Frank Black, which is Mr. Combs?
KERRY MORGAN: Yes.
MR. AGNIFILO: Your Honor, we offer it.
THE COURT: Any objection?
MS. FOSTER: Yes, your Honor. We object for hearsay, 401, 403.
THE COURT: What's the response on hearsay?
MR. AGNIFILO: I've never known a poem offered for its truth and I think it's in line with what we're talking about.
THE COURT: Brief sidebar.
(At the sidebar)
THE COURT: You may be correct that putting in a poem is not for the truth of the matter. What's the point of it?
MR. AGNIFILO: It's 2016. She has seen Sean Combs do some terrible things. He was violent with Cassie, he's been jealous, he's been difficult, and here she is in 2016 sending him something as a pure gesture of love to make him be a better person, which she already said she tries to do, and it's important for that, that this is -- we get to tell the story of a relationship of friends rooting for them at times and telling them at times that they should break it up, and we embrace it all, and this is part of that narrative.
MS. GERAGOS: For relevance, your Honor. Tomorrow, Ms. Ventura's mom is going to testify about a time she called the police on Mr. Combs, this is three days after that event. And so it's also relevant.
THE COURT: So walking through the objections, on hearsay, Mr. Agnifilo's point is there's nothing being conveyed in the poem, so it can't be in for the truth. Do you have any issue with that?
MS. FOSTER: To some extent, he's sort of saying the poem is a demonstration of love or affection for him. So, to some extent, he is trying to admit --
THE COURT: If it was a demonstration of love, in that sense, wouldn't it be admissible under 803.3 as the state of the declarant's emotional condition?
MS. FOSTER: I don't think he's laid any of the foundational questions, to be honest. I understand his interpretation of what he thinks the message may have said, but it's just as likely that they were walking somewhere and she was reading a poem and he was like, hey, can you send that to me. They haven't established anything.
THE COURT: Right.
MS. FOSTER: He needs to ask questions to actually make it admissible under the basis that he's --
MR. AGNIFILO: I don't think we need 803.3. It's not offered for the truth. I don't need a hearsay exception. It's not hearsay.
THE COURT: I'm going to overrule the objection and we'll see if, based on the questioning, you have a further objection, could you raise it.
(Continued on next page)
(In open court)
MR. AGNIFILO: Your Honor, we offer 1612.
THE COURT: Defendant's Exhibit 1612 will be admitted.
(Defendant's Exhibit 1612 received in evidence)
MR. AGNIFILO: On the left side, we see FB, that's Frank Black, that's Sean Combs, correct? Feel free to read it.
KERRY MORGAN: I have read it.
MR. AGNIFILO: So we have FB on the left side saying, hey, I never really asked you to call me, but I need you to call me to ask you about Cass birthday. I won't put you in an effed up position. Do you see that?
KERRY MORGAN: Yes.
MR. AGNIFILO: When is Ms. Ventura's birthday, do you know?
KERRY MORGAN: August 26th.
MR. AGNIFILO: So this is a week before her birthday?
KERRY MORGAN: Yes.
MR. AGNIFILO: Then he goes on to say, even if you can't just say that, it's a five-minute convo about her birthday. This is I think what you said on direct examination, is sometimes he reaches out, and then he reaches out, and then he reaches out, and he's kind of doing that here?
KERRY MORGAN: Yes.
MR. AGNIFILO: Then you write back, K, 2 min, two minutes, right, and he says thanks. And then a few minutes later -- a few seconds later, actually, you send what's on the other side.
KERRY MORGAN: It's not seconds. The last thing he wrote was at 6:36, it says. That last message is blank.
MR. AGNIFILO: Right. I'm sorry. So somehow he sends you a message without any content?
KERRY MORGAN: Yes.
MR. AGNIFILO: And then you send this back, right?
KERRY MORGAN: I guess so, yeah.
MR. AGNIFILO: Do you recognize this?
KERRY MORGAN: I do recognize this. It's like an affirmation, I guess.
MR. AGNIFILO: Do you know who Louise Hay is?
KERRY MORGAN: Maybe she's the author. I'm not sure.
MR. AGNIFILO: Does that sound right?
KERRY MORGAN: Yeah.
MR. AGNIFILO: Tell me if this is right: Louise Hay has written books about affirmation and --
MR. AGNIFILO: It's a question.
MR. AGNIFILO: So the question is: do you know if Louise Hay is an author of self-affirmation and self-love books?
MS. FOSTER: Objection.
THE COURT: It's overruled.
KERRY MORGAN: I believe that's who it is. I would have to see the book again.
MR. AGNIFILO: And you decide to send this to Mr. Combs, correct?
KERRY MORGAN: It appears that way, yes.
MR. AGNIFILO: And do you know why you're sending this?
KERRY MORGAN: I don't.
MR. AGNIFILO: If we look at it, it's all about loving one self, correct?
KERRY MORGAN: Uh-huh.
MR. AGNIFILO: Did you believe Mr. Combs did not love himself?
KERRY MORGAN: He had -- sometimes he did not -- it seemed like he did not, yeah.
MR. AGNIFILO: Is this, is it fair to say — and I'm guided by you — that you're sending him this here, A, to help him?
KERRY MORGAN: Yes.
MR. AGNIFILO: To give him words of encouragement?
KERRY MORGAN: Yes.
MS. FOSTER: Objection. She said she didn't know why she sent it.
THE COURT: It's overruled.
MR. AGNIFILO: To give him words of encouragement, right?
KERRY MORGAN: I don't remember sending it, so I don't really have --
(Continued on next page)
BY MR. AGNIFILO:
MR. AGNIFILO: OK. Do you remember giving him words of encouragement at other times?
KERRY MORGAN: Not that I can -- I can't recall a specific instance.
MR. AGNIFILO: OK. But you said a few minutes ago, there were times when you thought that he and Cassie should try to stay together and work things out, correct?
KERRY MORGAN: Yeah, sometimes.
MR. AGNIFILO: OK. Sometimes yes and then sometimes no?
KERRY MORGAN: Most of the time no, yeah.
MR. AGNIFILO: All right. I'm going to show you a few more photos and then we really are almost done. Before we do that, I want to talk for a second about the incident where he came into Cassie's apartment and put his hands on your neck and threw the --
KERRY MORGAN: OK.
MR. AGNIFILO: -- the wooden hanger. I'm going to do this very quickly. I apologize for asking about it.
KERRY MORGAN: OK.
MR. AGNIFILO: I'm sorry to ask this question. Were you and Ms. Ventura, were you using any drugs at the time?
KERRY MORGAN: Not that I recall.
MR. AGNIFILO: OK. Do you remember there being any drugs on the table?
KERRY MORGAN: No, I don't remember.
MR. AGNIFILO: You don't remember?
KERRY MORGAN: No.
MR. AGNIFILO: OK. And you said -- I know, just to summarize it, not the exact words -- when he came in, he said something. Tell us generally what he said.
KERRY MORGAN: Who is she cheating with?
MR. AGNIFILO: And at the time, did you know the answer to that question?
KERRY MORGAN: No. I had no idea who she was cheating with at that time.
MR. AGNIFILO: OK. But it turns out she was cheating on him with somebody?
KERRY MORGAN: Yes.
MR. AGNIFILO: Right?
KERRY MORGAN: Yes.
MR. AGNIFILO: OK. And at the time, at the moment, you didn't know who it was?
KERRY MORGAN: I had no idea she was cheating on him.
MR. AGNIFILO: OK. Now, you said that you got a concussion?
KERRY MORGAN: Um-hmm.
MR. AGNIFILO: OK. You have to answer yes or no.
KERRY MORGAN: Yes.
MR. AGNIFILO: OK. Now, I just have a couple of questions around a few details. I apologize. So you said you went to an urgent care, correct?
KERRY MORGAN: Yes.
MR. AGNIFILO: You didn't go to the hospital?
KERRY MORGAN: No.
MR. AGNIFILO: OK. Do you remember when you first told the government about this, back on December 7, 2023, you said you went to the hospital? Do you remember that? Only if you remember.
KERRY MORGAN: I don't remember that.
MR. AGNIFILO: OK. Do you remember saying, when you first spoke to the government on December 7, 2023, that it was bleed -- it was bleeding?
KERRY MORGAN: I don't believe I even said that.
MR. AGNIFILO: No?
MR. AGNIFILO: All right. Let's just pull up for the witness, if we could, 3513-001 at page five.
MR. AGNIFILO: So this is just for you to look at. Just take a look at it, and I'm going to ask you a couple questions. I think it's on page five. I think it's the second, the last full -- no, the second to last full paragraph.
KERRY MORGAN: OK.
MR. AGNIFILO: No, the one below that.
KERRY MORGAN: The next one?
MR. AGNIFILO: Two, just down. Read that to yourself and look at me when you're done.
(Pause)
MR. AGNIFILO: OK. So, the only question is, do you remember telling the government that you went to a friend's house and then to the hospital to treat your wounds? Do you remember saying that?
KERRY MORGAN: Yes.
MR. AGNIFILO: You remember saying that?
KERRY MORGAN: I don't remember saying hospital, but I -- hospital and urgent care are not that different.
MR. AGNIFILO: No, I'm not saying they are. I'm just trying to understand kind of what happened. So you remember telling them hospital?
KERRY MORGAN: I don't remember saying hospital.
MR. AGNIFILO: OK. Fine. Let's pull it back up again and I want to ask about the next thing, too.
MR. AGNIFILO: OK. Do you remember telling the government that the hospital staff told you they would call the Los Angeles Police Department?
KERRY MORGAN: Yes.
MR. AGNIFILO: OK. And now did someone from the urgent care say that?
KERRY MORGAN: Yes.
MR. AGNIFILO: But not someone from the hospital because you didn't go to the hospital?
KERRY MORGAN: No.
MR. AGNIFILO: OK. All right. We can take it down. And thank you.
MR. AGNIFILO: There was no LAPD response, correct?
KERRY MORGAN: No.
MR. AGNIFILO: Were any photographs taken of the injury?
KERRY MORGAN: I took photographs, yes.
MR. AGNIFILO: OK. Do you have them?
KERRY MORGAN: I don't know where they -- I haven't looked for them.
MR. AGNIFILO: It's a long time?
KERRY MORGAN: Yeah.
MR. AGNIFILO: Did they take photographs at the urgent care?
KERRY MORGAN: I don't remember if they did or not.
MR. AGNIFILO: OK. And do you remember what your course of treatment was?
KERRY MORGAN: No. I don't remember.
MR. AGNIFILO: All right. Any records from the urgent care?
KERRY MORGAN: That I have? No. I'm sure they have it at the urgent care, though.
MR. AGNIFILO: Fair enough. Now, did the government ever give you a subpoena for your phone or any devices?
KERRY MORGAN: No.
MR. AGNIFILO: OK. And how did you -- did you give the government anything from your phone, your devices, from 2018?
KERRY MORGAN: No.
MR. AGNIFILO: And they didn't ask?
KERRY MORGAN: No.
MR. AGNIFILO: And they didn't give you a subpoena for that stuff?
KERRY MORGAN: I don't believe so, no.
MR. AGNIFILO: We're going -- we're going to do a few photos and then we're going to be finished.
KERRY MORGAN: OK.
MR. AGNIFILO: We're going to up for identification 1616. It's sideways. A. I can see it.
MR. AGNIFILO: OK. Who's in the photo?
KERRY MORGAN: Casandra and Sean.
MR. AGNIFILO: OK. We offer it, your Honor. 1616.
THE COURT: Any objection?
MS. FOSTER: None.
THE COURT: Defense Exhibit 1616 will be admitted.
(Defendant's Exhibit 1616.1 received in evidence)
MS. FOSTER: Just to clarify, is it just one page?
MR. AGNIFILO: It's only one page.
MS. FOSTER: That's fine.
(Counsel confer)
MR. AGNIFILO: I think it's part of a text message chain. We're trying to establish the date.
BY MR. AGNIFILO:
MR. AGNIFILO: Can you see it on top there?
KERRY MORGAN: The date?
MR. AGNIFILO: Yes.
KERRY MORGAN: Yes.
MR. AGNIFILO: OK. May 2, 2017?
KERRY MORGAN: Um-hmm.
MR. AGNIFILO: OK. That's perfect. Great. Thank you.
THE COURT: Mr. Agnifilo, are you seeking to admit the entire text chain?
MR. AGNIFILO: No, no, no. Wait a minute. I'm being overruled.
THE COURT: All right.
MR. AGNIFILO: One second.
THE COURT: 1616.1 is admitted, but the remainder of the exhibit has not been admitted yet.
(Counsel confer)
MR. AGNIFILO: Actually, we're going to seek to admit the whole thing. It's five different photographs as part of the same exhibit.
THE COURT: OK. Why don't you go through with the witness the five photos, and then we can see if there's an objection.
BY MR. AGNIFILO:
MR. AGNIFILO: All right. Let's pull up, there's another two. Do you see them there?
KERRY MORGAN: Yeah.
MR. AGNIFILO: All right. I believe --
KERRY MORGAN: That's me, yep.
MR. AGNIFILO: OK.
KERRY MORGAN: Yes.
MR. AGNIFILO: I think that's the last page. Do you recognize everyone in those series of photos?
KERRY MORGAN: Yes.
MR. AGNIFILO: OK. We offer them. We offer all the photos in the exhibit.
THE COURT: Any objection?
MS. FOSTER: No objection.
THE COURT: All right. 1616 will be admitted.
(Defendant's Exhibit 1616 received in evidence)
BY MR. AGNIFILO:
MR. AGNIFILO: All right. We looked at the first photo. That's Ms. Ventura and Mr. Combs, correct?
KERRY MORGAN: Yes.
MR. AGNIFILO: Let's go to the second page. Same two folks, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: Let's go to the third page. All right. Can we blow that up.
MR. AGNIFILO: You're there, too, now?
KERRY MORGAN: I am.
MR. AGNIFILO: OK. And go to the last page.
MR. AGNIFILO: Can you recognize where you are there?
KERRY MORGAN: This is after the Met Ball.
MR. AGNIFILO: After the Met Ball. OK. Met Ball 2017?
KERRY MORGAN: Yes.
MR. AGNIFILO: All right. When you stopped speaking with Ms. Ventura and you stopped speaking with Mr. Combs, you really stopped speaking with all of those people, right?
KERRY MORGAN: Yes.
MR. AGNIFILO: OK. And many of them were your friends, as you said, correct?
KERRY MORGAN: Yeah.
MR. AGNIFILO: I think, like, D-Roc you said you considered a friend?
KERRY MORGAN: A lot of them were my friends. It was a big loss.
MR. AGNIFILO: It's a big loss because when you were all together, you were all close?
KERRY MORGAN: Yes.
MR. AGNIFILO: And you had a lot of good times together?
KERRY MORGAN: Yes.
MR. AGNIFILO: All right. Your Honor, I really have nothing else. Thank you very much for your time. I really appreciate it.
KERRY MORGAN: Thank you.
THE COURT: Thank you. Ms. Foster.
MS. FOSTER: Yes, just a few questions.
REDIRECT EXAMINATION BY MS. FOSTER:
MS. FOSTER: Ms. Morgan.
KERRY MORGAN: Hi.
MS. FOSTER: Do you remember being asked on cross-examination about whether the government had served you a subpoena for certain records and communications?
KERRY MORGAN: Yes.
MS. FOSTER: And you said they had not?
KERRY MORGAN: I don't -- I don't believe they have. I'm not sure.
MS. FOSTER: Do you know whether the defense ever served you such a subpoena?
KERRY MORGAN: I -- no, I have not been served a subpoena from them.
MS. FOSTER: Do you remember being asked on cross-examination about how jealousy was an issue in Cassie and Mr. Combs' relationship?
KERRY MORGAN: Yes.
MS. FOSTER: And do you remember talking earlier about two specific in incidents you saw Mr. Combs assault Cassie?
KERRY MORGAN: Yes.
MS. FOSTER: One was in LA?
KERRY MORGAN: Yes.
MR. AGNIFILO: Beyond the scope. I didn't ask anything about either of them.
MS. FOSTER: Your Honor, this responds to the cross-examination questions about jealousy.
THE COURT: OK. That's overruled.
BY MS. FOSTER:
MS. FOSTER: And then the other one was in Jamaica?
KERRY MORGAN: Yes.
MS. FOSTER: And can you just remind me what you saw generally in LA?
MR. AGNIFILO: I'm going to object, your Honor. I didn't get into any of this.
THE COURT: That's overruled.
KERRY MORGAN: Um, what I saw?
MS. FOSTER: Yes.
KERRY MORGAN: When I was in LA? He, like, hit her and pushed her on the bottom or something.
MS. FOSTER: And directly prior to that argument or seeing that physical assault, what, if anything, do you remember about an argument about jealousy?
KERRY MORGAN: Um, I'm not sure.
MS. FOSTER: You don't remember anything?
MS. FOSTER: And, again, can you remind everyone what you saw in Jamaica happen?
KERRY MORGAN: Um, he dragged her down probably, like, a 50-yard hallway by her hair, and then took her out in the front driveway and pushed her down, where she hit her head on the brick.
MS. FOSTER: And prior to that happening, what, if anything -- what, if any, argument did you hear about jealousy happening?
KERRY MORGAN: None.
MS. FOSTER: And what did you hear Mr. Combs complain about before he dragged her by the hair?
KERRY MORGAN: That she was taking too long in the bathroom.
MS. FOSTER: Thank you. No further questions.
THE COURT: Mr. Agnifilo, any further questions?
MR. AGNIFILO: No. Thank you very much.
THE COURT: All right. Thank you, Ms. Morgan.
KERRY MORGAN: Thank you.
(Witness excused)
THE COURT: The government may call its next witness.
MS. SLAVIK: Your Honor, the government calls David James.
THE COURT: All right. Come on up here.
KERRY MORGAN: Thank you. How are you doing, your Honor?
THE COURT: Good.
COURT CLERK: Remain standing for a moment and please raise your right hand. DAVID JAMES, called as a witness by the Government, having been duly sworn, testified as follows: Thank you. You may be seated.
THE COURT: You may proceed.